Jimi Hendrix :: essays research papers

Jimi Hendrix: Reflections of the Man Through the Development of His Albums James McGuire UWC 4, Hampton November 4, 1996 On November 27, 1942,Jimi Hendrix was born as John Allen Hendrix in Washington at Seattle General Hospital. His childhood was not a privileged one, however, he did indulge himself in one particular way: Jimi loved to play the guitar. At first he played an old acoustic, and later a cheap Silvertone electric, which were both strung for a lefty on a right-handed guitar, one of the defining Hendrix traits (Murray 34- 5) . As a teenager, young Jimi listened to the music which affected his music so greatly later: â€Å"‘everyone from Buddy Holly to Muddy Waters and through Chuck Berry way back to Eddie Cochrane’'; (Wilmer 38). He played in a few bands in high school, but then dropped out before his senior year. After working as a laborer for a few months, Jimi decided that he was not destined for that line of work, so in 1959, he enlisted into the 101st Airborne (Murray 36). Jimi’s parents were of mixed descent, with Jimi’s family tree had whites, blacks, and Ch erokee Indians. Jimi never denied his ethnic diversity, but rather accepted his diversity and publicly allowed it to show through in his music. Jimi said it best in â€Å"If 6 was 9'; on Axis: Bold As Love when he said â€Å"I’m gonna wave my freak flag high.'; Hendrix’ first forays into professional music came after he received his honorable discharge from service in the summer of 1962 (Murray 36). His background in R&B, a type of music dominated by black artists at that time, led him to play with many R&B singers from the time, such as Little Richard, King Curtis, Joey Dee and the Starliters, the Isley Brothers, and many others (Murray 38-42). The development of his own style of music, which would later be displayed at various stages of its evolution in his four completed studio albums, came from an amalgamation of his intimate familiarity with the blues, ethnic background, the years he spent as an R&B sideman, and his exposure to new musical styles and scenes. The development of Hendrix’ music to our modern perception of it occurred after his move to New York City and the formation of Jimmy James and the Blue Flames, where a young producer named Chas Chandler discovered his act, which by then included Hendrix’ famous playing with his teeth and behind his back.

Deconstruction of an Advertisement

COMM 10265 DECONSTRUCTING AN ADVERTISEMENT ASSIGNMENT Sexy Subaru Car Wash Sexy Subaru Car Wash Sexy Sumo Car-Wash Video. flv – YouTube Subaru puts a new Eastern satirical twist on the tradition Western sexy car wash in their advertisement for the Forrester which in place of Heidi Klum or Jessica Simpson sumo wrestlers scantily washing the new vehicle. This advertisement starts off with a dirty Forrester pulling into the car wash with seductive music playing in the background.Most audiences expect a group of supermodels in bikinis to come out and wash the car, however the elderly couple and the audience is surprised to see six sumo wrestlers come out in uniform to wash the car. The sumo wrestlers whip their rags and rub their stomachs up against the car to depict a scene of what the average sexy car wash would be like when sumo wrestlers take the place of bikini models. Give credit to Subaru for taking this substance of style approach to advertising, with the humor doing their cause no harm. What social groups is the advertisement aimed and what social groups are represented in the advertisement?This advertisement by Subaru is aimed at automobile consumers in Canada, as well as an unintentional client base which see the advertisement as an activist-like change to the way car commercials are being produced. Its humorous and non-conformist provocativeness of the ad engages a different kind of audience than the average car purchaser. There is no specific age or gender that this commercial is aimed at, and by replacing supermodels with sumo wrestlers the car is now being advertised more broadly to include women in the target market.Does the advertisement violate or reinforce social/cultural norms? By using sumo wrestlers the Japanese car company Subaru has put an eastern cultural twist to the advertisement and this contrast is meant to be satirical in nature. In traditional western advertisements particularly in the automobile industry the use of a stereotyp ical â€Å"bombshell† would be used to promote products. This is to give the impression that the sleek new product will help you attain these stereotypical man/women of your dreams.This ad violates social and cultural norms by replacing beautiful women who normally would advertise cars with sumo wrestlers, a reference to the origin of the cars manufacturer. In an article published in Motor Authority it was quoted that â€Å"Unlike the bikini-wearing models in other ads, you're not left wondering where the car is†¦If anything your eyes seek out the [car], if only for aesthetic relief. † (Lienert 2011) In this advertisement Subaru Canada is also portraying a sense of Japanese pride. Sumo wrestlers are honored in Japan and by replacing a Canadian or American supermodel with a symbol of Japanese pride, the sumo wrestler.This connects viewers with the pride of a Japanese manufactured car that the ad is trying to sell. What else is the ad selling? Subaru Canada is selli ng a new type of car advertisement which shows deviance to societal norms by changing the image of what people think is sexy. Sex sells is a long standing phrase that can be used to define the advertising industry and before this commercial was released many manufacturers marketed â€Å"sexy† car advertisements using Sports Illustrated swimsuit models or models of a similar stature.Subaru in lieu of the sexy bikini models has chosen to express their individuality by chosen a cultural representation to poke fun at traditional advertising. Subaru takes a humorous approach to the commercial, selling the attributes of the vehicle. The trend of substance over style is now more apparent as consumers are much more educated especially in regards to the auto industry. Buyers are now more likely to be concerned with mileage, service ability/availability and resale value rather than whether or not their ride can get them a date for Saturday night.Works Cited Hall, S. (2011, 11 30). Retr ieved from http://www. adrants. com/2011/11/car-brands-still-using-sex-to-sell. php Lienert, A. (2011, 02 17). Subaru lampoons supermodel ads with sexy sumo wrestlers. Retrieved from http://www. insideline. com/subaru/forester/2011/subaru-lampoons-supermodel-ads-with-sexy-sumo-wrestlers. html Norm (social) . (2012, 11 10). Retrieved from http://en. wikipedia. org/wiki/Norm_(social) Sexy sumo car wash. (2010, 05). Retrieved from

Do Violent Video Games Cause Violence in Childen - 1049 Words

Do Violent Video Games Influence Youth Violence Noel Averruz EN1420 ITT-Technical Institute Ever Since Violent Video Games were invented People have been trying to prove that they influence Violence in Juveniles. Although many prospective studies have been done on video game violence and the affect they have on the youth, none have been able to completely validate the claim that violent video games do influence the youth to become violent in their everyday lives. Out of the many studies that have been done to examined video game violence and the influences it has on player aggression none of the results necessarily tap well into serious aggression or violence. One of these studies was performed by Dr. Ferguson who recruited 302†¦show more content†¦Violent video games can provide a safe and healthy opportunity for youth to explore rules and consequences to violent actions and may allow youth to virtually explore war and death without any real world consequences. ProCon.org (2014). In conclusion, youth might model violent acts on what they have seen in video games, but the violence would still occur in the absence of video games. Dr. Ferguson States â€Å"Depressive symptoms stand out as particularly strong predictors of youth violence and aggression, and therefore current levels of depression may be a key variable of interest in the prevention of serious aggression in youth. Current studies find no evidence to support a long-term r elationship between video game violence use and subsequent aggression. Even though the debate over violent video games and youth violence will continue, it must do so with restraint.† ScienceDaily.com, Ferguson CJ (2010), Ferguson, C. (2010, December 14). Video Games and Youth Violence: A Prospective Analysis in Adolescents. The potential influence of violent video games on youth violence remains an issue of concern for psychologists, policymakers and the general public. Although several prospective studies of video game violence effects have been conducted, none have employed well validated measures of youth violence, nor considered video game violence effects in context with other influences on youth violence such as family environment, peer delinquency, and depressiveShow MoreRelatedVideo Games : A Great Source Of Fun For All Ages992 Words   |  4 PagesViolent video games are always a great source of fun for all ages. Ever since i could remember i have loved violent video games just as much as any other 18 year old would. My favorite video game to play is GTA or grand theft auto. Its a great 1player game where you can basically do whatever you want and get away with it. It has been around since the late 90s and there has been 6 games created and there all rated M for mature players only .When i wa s younger I was always aloud to play to violent